Necessity
To finalize the first version of the screenplay for the prologue with Alejandro Bonilla Rojas right away.
Leave a CommentAn artistic research conducted by Diego Arias Asch
Necessity
To finalize the first version of the screenplay for the prologue with Alejandro Bonilla Rojas right away.
Leave a CommentI sculpted action figures of the characters from the prologue to play with them to see if I would come up with ideas for scenes.
Leave a CommentI painted one portrait of the Young Prince (Young King in the longer story) to start figuring out of his physical appearance.
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I painted and sculpted the character of Alessandro to define his physical appearance and personality for the prologue.
Leave a CommentOngoing laboratory. I wrote and animated a prologue for the story to start defining the aesthetics of the story, to find where is potential for humour in the story, to explore the character and motivations of Alessandro.
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As a laboratory, I decided to write and animate a prologue for the story. The prologue is titled ‘The Old King’.
Motivation for the laboratory and overview of the process:
Experiments contained within the laboratory:
I went to Budapest with two peers to start clarifying the cultural context of the story.
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I painted three portraits of Fabrizio, the main character of the story, so I could get to know him better.
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